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This is an archive of our retired blog. Please visit out current website

www.berlindrawingroom.com

making Photo Transfers

We are very excited to offer a new workshop within the Mixed media category at the Berlin Drawing Room. Click on the link below for a complete workshop description. Registration is now open for the upcoming January 5 - 26, 2017 workshop. Sign up now to reserve your place!

Photo Transfer: Image and Memory


Artist Keegan Luttrell will teach several Photo Transfer techniques that relate to her own artistic practice. The Photo Transfer is actually just the starting point to making richly layered mixed media artworks, incorporating painting, drawing and collage. 

Check out the demo video below for a teaser of what to expect from this workshop. 

Staring with found images, photos, drawing, etc... the image is transferred to the drawing surface using a variety of techniques.



Photo Transfer Demo with Keegan Luttrell


Drawing Workshop Supply List




Drawing Workshop Supply List

- various pencils from soft to hard (a set of at least 4 pencils from HB to 6B) 
A3 sketch pad  
- soft graphite stick (soft means ~ B6)
- kneadable eraser
- hard white eraser
- sharpener

Guide for where to buy art supplies.

Back to Drawing Workshop page.



Cyanotype Workshop Impressions

Impressions from our first Guest Artist Workshop which took place on September 10-11. We had a wonderful group of students! We are looking forward to repeating this workshop in the Spring when the sun comes out again. 
"Cyanotype: Drawing in Four Dimensions"with Hiroshi McDonald Mori 
Dive into the process of Cyanotype in this intensive weekend workshop! Cyanotype is a photographic technique that exposes images in sunlight. Creating an image requires no negatives but rather invites a direct approach that combines elements of drawing, painting and sculpture with the final element of time. Mix the alchemical concoction discovered by Sir John Herschel in 1842 to create your own solutions, prepare, expose, and develop photosensitive paper. By learning the chemical process involved, you will also unlock infinite possibilities for deconstructing the medium to create unique effects.





























Summer Art Program with the children of NUK Wrangelstrasse

We have just concluded our Summer Art Program for the children living at the Notunterkunft Wrangelstrasse. This is a place where refugees live temporarily in Berlin, and we were happy to share a bit of fun and creativity with out neighbors.

I am proud to report that we were able offer 6 art classes with the help of 7 volunteers from the Berlin Drawing Room (Tali, Sina, Signe, Wiesje, Elly, Ines, Mira). We received donations or art and craft supplies from several generous individuals, as well as substantial donations from Kita Nestwarme and Peters Art. We worked with a group of about ten children who were full of energy and enthusiasm!

Some projects included potato stamps, bubble paintings, a mural, masks and leaf rubbings.

We have been invited back to continue our art program during the school year and we are searching for new volunteers! If you are interesting in participating, please get in touch at contact@berlindrawingroom.com. Thanks!









Cyanotype Botanical Illustrations by Anna Atkins

In the Botanical Drawing Workshop, we mainly focused on drawing and watercolor painting as methods for capturing the likeness of a plant. We did also experiment with pressing and drying plants to create Herbarium plates. While researching Cyanotype for another upcoming workshop at the Berlin Drawing Room, I was excited to learn that one of the earliest uses for this photographic technique was actually for botanical illustrations of seaweed by artist and scientist Anna Atkins.

This from the Public Domain Review, where you can also see more of her work:
"Anna Atkins (1799-1871) was an English botanist and the very first female photographer, most noted for using photography in her books on various plants. Having grown up with her father John George Children — a chemist, mineralogist, and not too successful zoologist — she was surrounded by science and also contributed to her father’s work. Her engravings of shells can be found in her father’s translated edition of Jean-Baptiste de Monet Lamarck’s Genera of Shells, published in 1823, but it is her work with cyanotypes that she is best known for. Through her father and her husband, Atkins came to know both William Henry Fox Talbot, a pioneer of early photography who invented a process of creating photographs on paper treated with salt and a solution of silver nitrate, and Sir John Herschel, the inventor of the cyanotype printing method. She became interested in the cyanotype process which produced images through so-called sun-printing. The object is placed on paper which has been treated with ferric ammonium citrate and potassium ferricyanide, after which it is exposed to sunlight and then washed in water, leading to the uncovered areas of the paper turning a dark blue. The process, known as blueprinting, was later used to reproduce architectural and engineering drawings, but Atkins chose to use it for what is considered to be the first work with photographic illustrations, namely her Photographs of British Algae: Cyanotype Impressions (1843). Only 13 copies of the handwritten book are known to exist, some of which are in various stages of completion. Later, she would collaborate with another female botanist, Anne Dixon (1799–1864), in making two more books featuring cyanotypes: Cyanotypes of British and Foreign Ferns(1853) and Cyanotypes of British and Foreign Flowering Plants and Ferns (1854). Atkins became a member of the Botanical Society in London in 1839, one of the few scientific societies which was open to women."



Introducing Guest Artist Workshops: Cyanotype


In this series of intensive workshops we invite Guest Artists to teach a technique specific to their own practice. Guest Artists are highly accomplished in their respective mediums and have exhibited internationally.
Learn directly from the artists that are defining current trends and bringing fresh relevance to both traditional and experimental techniques!



Cyanotype: Drawing in Four Dimensions

September 10-11
with Hiroshi McDonald Mori 
Dive into the process of Cyanotype in this intensive weekend workshop! Cyanotype is a photographic technique that exposes images in sunlight. Creating an image requires no negatives but rather invites a direct approach that combines elements of drawing, painting and sculpture with the final element of time. Mix the alchemical concoction discovered by Sir John Herschel in 1842 to create your own solutions, prepare, expose, and develop photosensitive paper. By learning the chemical process involved, you will also unlock infinite possibilities for deconstructing the medium to create unique effects. 
During this 2 day workshop, you can expect to learn:
- Chemistry involved in Cyanotype technique
- Results of using different types of paper and other surfaces for printing
- How to make test prints to set exposure time in varying weather conditions
- Tips for creating a sharper image, or a blurred "in-motion" image
- Experimental techniques for drawing and painting with Cyanotype
- Using tea to create varied tones
- Introduction to the history of Cyanotype and examples of artists, both historical and contemporary
Schedule: 11:00 - 15:00, September 10-11 (Saturday & Sunday)
Location: Hiroshi's studio near Moritzplatz, exact address given upon registration
Cost: 80 Euro (2 days, includes all chemistry, paper for test prints)
Sign Up: contact@berlindrawingroom.com